In a letter of February 2009 Ingrid Shulte-Vilain, a friend of George who was YatridĂ¨s producer in Hollywood where she has a large property. Miles Millar American screenwriter and producer (The Mummy, Lethal Weapon, Spider Man, …) reflects the great interest in making a film on the biography of Georges Yatrides.
February 17, 2009
Ingrid, thank you first and foremost, for sending your items on GEORGES YATRIDES. It is the culmination of a control in terms of artistic quality and technical virtuosity evokes Ernst, Dali and Chagall. The body of his work is ethereal, not only aesthetic, but his innate ability to exploit the metaphysical aspects of our nature.
It is an absolute constant redefinitions in its structure and development of contemporary art and a gift for all of us to evolve.
My apologies for the lateness of this response, I was on the ground with my last project and I tend to immerse myself in the subject in hand in a comprehensive manner. When the first opportunity came, I have entered unreservedly and with all my heart in the various workings
Yatrides work and I was blown away by the penetration of his mind.
The power of this man’s vision is infinite, and I want to see a movie on the subject proper justice to that which is his due.
Once again, thank you for sincerely considered for this great company. He had not lost a moment to assimilate the elements that you have
sent, it is with humility that I immersed myself in such a transcendence pictures and stuff. The work is amazing and Georges Yatrides
legitimately deserves the position he will have in our collective history, it is a true craftsman of the intangible.
I look forward to seeing you in Los Angeles next spring.
Alzieu editions publishedÂ a book of 450 pages, illustrated, paperback cover colors about painters, both ancient and contemporary, in the departments of Hautes-Alpes, DrĂ´me and IsĂ¨re. The authors are, respectively, the former director of the Ecole des Beaux Arts de Grenoble, and DauphinĂ©Â paint specialist .
In an article published in the journal Cyberarchi in 2005, Christophe Leray speaks of the path that followed the architect Raphael Gabrion in its proposed creation of an observatory on the plains of Nazca Peruvian and reconciliation he made between work of Georges YatridĂ¨s and film 2001: A Space Odyssey.
The article is still accessible to date, however we copied the page if it ever came to be deleted.
In 1996 under the chairmanship of Mrs. Vidler Gweneth Dulles, Â the association “YatridĂ¨s and his century” was created. This foundation consists of particular officials, doctors and lawyers is responsible for the protection of works and the person of George Yatrides.
New analysis by Sacha Bourmeyster in this book “Yatrides and the Bible” following exposure in the crypts of the SacrĂ©-coeurt in 1981.
The disaster that the painter lived and overcame the loss is no possible return of traditional painting, the destruction of all signs, all markers that had for centuries allowed the men to communicate through pictorial representation.
With YatridĂ¨s, we discuss a painting that no longer corresponds to ways of writing which we have used successively the figurative, the Impressionists, the Fauves, Cubists or abstract painting that lends itself to another reading.”
â€śInterstellars lconsÂ â€ťÂ by SachaÂ BOURMEYSTER
â€śYATRIDESÂ 1960Â -Â KUBRICKÂ 1968Â ”
AnticipationÂ ofÂ interstellar iconsÂ of GeorgeÂ YATRIDES
and monolithsÂ onÂ the novelÂ by Arthur C.Â CLARKE
andÂ in the movieÂ Â â€ś2001:Â A Space OdysseyÂ ”by Stanley Kubrick.
“The following analysis in no way aims, with mercenary ulteriorÂ motives, at claiming paternity rights. YatridĂ©s has shown clearly enoughÂ in his life as a painter the little importance he attached to that kind ofÂ preoccupation,
It is evident that his slabs came first.
Did they have a direct influence on the work of the filmmaker and theÂ novelist? It hardly matters. The comparison between the differentÂ approaches: pictorial, literary and cinematic shall, I hope, allow devotees of
Yatrides works a better understanding of the slabs importance and of theirÂ significance in the painters very creative process. A painter whose constantÂ ambition is to push back the boundaries of his art.”
Painting in 1963 where we see the monolith
Some painting with slabs between 1963 and 1965
The vertical monolith at the beginning of the film is now horizontal and fly as a light source beside men during their trip.
VAULXÂ EN VELIN
â€śYATRIDESÂ century, the AntiÂ Picasso”
“THEÂ PAINTERÂ OFÂ REALÂ INVISIBLE”
by AlexanderÂ (Sacha)Â BOURMEYSTER
PrestigiousÂ editionÂ illustratedÂ by numerousÂ color reproductions.
Book extract translated
|Lives in the scandal and provocation
||Lives outside the tumult
|Does not prostitution (falling into the facility)
||Does not prostitute his work
|Believes that the painter is greater than the work
||Believes that the work is greater than the painter
|Discredits traditional techniques to dispel the illusions of public
||Renounce foreign technology to develop those which will own
|MĂ©prise ceux qui doivent chercher
||Despise those who must seek
|Down and appropriates the works of others
||Respects the work its precursors but wants to take it to a higher level
|Claims that art is a lie that makes going to the truth
||Installation art as a fiction in which realizes the truth
|Kill desire by nightmare
||Transforms the desire
|Fun, exciting, but disappoints by its unfinished work
||Concerned with perfection, but fills those who adhere
VAULXÂ EN VELIN
â€śYATRIDESÂ MasterÂ of Timeâ€ť byÂ ArthurÂ CONTE
Detailed biographyÂ about the tumultuousÂ and excitingÂ YATRIDES lifeÂ ,
his origins,Â his adventures.
LuxuryÂ illustratedÂ editionÂ of aÂ hundred reproductionsÂ of which 70Â colors.
RIOM and ROYAT
“International Biennial France – Quebec”
Honorary Grand Guest
Other exhibitions of the Biennial:
â€˘ Champagnac near Bort-les-Organs
â€˘ Le Puy en Velay
â€˘ St. Julien Chapteuil
â€˘ Vieux Montferrand
Edition by the BiennalÂ Organization of a prestigious monographic catalog of Â 48 pages.